![]() ![]() ![]() Whether to show the small oval of the tear duct in the inner corner, and the thickness of the lower lid, is a personal decision that depends on one's style, as too much detail does not necessarily look good detail should certainly decrease with the scale of the drawing.The eyelashes sweep outward and are shorter on the lower lid (in fact it's unnecessary to draw them most of the time).It only intersects the lower lid if looking down, or if the eye is narrowed so that the lower lid rises. At rest, the iris is partially hidden behind the upper lid.If the eye is compared to an almond, the rounder part would be towards the inner corner, with the tapering part in the outer corner.The outer corner of the eye can be higher than the inner, but not the reverse.There's no particular rule here because the eye shape can vary a great deal, but we can note the following tendencies: The eye is simply two arcs forming an almond shape. The most prominent point in the brow is 1 point up from the midline.The hollow at the root of the nose either coincides with the midline or is slightly above it.The features are placed the same way as above.The depth of the skull varies between the two dotted lines shown in step 4.In size and vertical positioning, it still fits between the upper eyelid and the bottom of the nose. The ear is just behind the central line.The midlines now divide the head into front (face) and back (skull). Seen in Profile:įrom the side, the head is still shaped like an egg, but pointing towards a corner. ![]() In the diagram below, all of the distances marked are equal to this length: height of the ear, hairline to brow, brow to nose, nose to chin, and pupil to pupil. The distance between lower lip and chin is also the length of one eye.Īnother measurement is the length of the index finger beyond the thumb. It's not uncommon for people to have eyes further apart or closer together, but we notice it when they do (wide-set eyes give a child-like innocent impression, while close-set eyes inspire distrust for some reason). The distance between the eyes is equal to one eye. It is helpful to know that the width of a face is generally five eyes or a little less. Looking up or down changes the apparent position of the ear (see Foreshortening). The ear is positioned between the upper eyelid and the tip of the nose, but this is only when the face is level. Divide the upper half in four: The hairline (when not receding) is two to three points up from the midline.The slit of the mouth is three points down from the midline, just one point down from the nose. Divide the lower half in five: The bottom of the nose is two points down from the midline.Mark the middle points of the left and right halves: The eyes sit on the midline, on these middle points.Two perpendicular midlines cut the egg into four quarters. The skull is a slightly flattened sphere, to which the jaw is appended so that, seen face-on, it has the shape of an egg, pointy side down. In this tutorial we're learning the basics of the face – proportions, features and foreshortening, and we'll go into the details of facial variations in our next session. The very first thing the eye looks for, in any setting, is the human face, and this applies also to art: a viewer will first look at the face of your character. Mastering the face, particularly the drawing of lively expressive faces, is therefore well worth the effort. Having thoroughly explored the human body, it is time to start looking more closely at its details, starting with the face. ![]()
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